{"id":11,"date":"2021-05-30T23:13:58","date_gmt":"2021-05-30T23:13:58","guid":{"rendered":"https:\/\/www.curatoriaforense.net\/gestiondearte\/contact-us\/"},"modified":"2021-06-26T16:32:24","modified_gmt":"2021-06-26T16:32:24","slug":"bibliografia","status":"publish","type":"page","link":"https:\/\/www.curatoriaforense.net\/gestiondearte\/bibliografia\/","title":{"rendered":"Bibliograf\u00eda"},"content":{"rendered":"<div class=\"boldgrid-section\">\n<div class=\"container\">\n<div class=\"row\" style=\"padding-top: 14px; padding-bottom: 0px;\">\n<div class=\"col-md-6 col-xs-12 col-sm-12\">\n<p class=\"\">Te presentamos la bibliograf\u00eda seleccionada por el <strong>Equipo Pedag\u00f3gico del Curso<\/strong>, material que estructurar\u00e1 los contenidos de cada una de las sesiones.<\/p>\n<\/div>\n<div class=\"col-md-6 col-sm-12 col-xs-12\">\n<h2 class=\"\" style=\"font-size: 24px; text-align: center;\">&nbsp;<span style=\"color: #800080;\"><strong>&nbsp;<a href=\"https:\/\/www.curatoriaforense.net\/gestiondearte\/#formulario\"> INSCR\u00cdBETE AQU\u00cd <\/a>&nbsp;<\/strong><\/span>&nbsp;<br \/>\n(HASTA EL 30 de JUNIO 2021)<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"color3-background-color color-3-text-contrast bg-background-color tmpl-team-5 boldgrid-section dynamic-gridblock\">\n<div class=\"container\"><\/div>\n<\/div>\n<div class=\"boldgrid-section\">\n<div class=\"container\"><\/div>\n<\/div>\n<div class=\"boldgrid-section\">\n<div class=\"container\">\n<div class=\"row\" style=\"padding-top: 0px; padding-bottom: 0px;\">\n<div class=\"col-md-12 col-xs-12 col-sm-12\">\n<div class=\"row bg-editor-hr-wrap\">\n<div class=\"col-md-12 col-xs-12 col-sm-12\">\n<div>\n<p>&nbsp;<\/p>\n<div class=\"bg-hr bg-hr-2\"><\/div>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-115 size-large aligncenter\" src=\"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-B-819x1024.png\" alt=\"\" width=\"819\" height=\"1024\" srcset=\"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-B-819x1024.png 819w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-B-240x300.png 240w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-B-768x960.png 768w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-B-250x313.png 250w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-B-550x688.png 550w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-B-800x1000.png 800w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-B-144x180.png 144w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-B-400x500.png 400w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-B.png 1080w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-116 size-large aligncenter\" src=\"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-C-819x1024.png\" alt=\"\" width=\"819\" height=\"1024\" srcset=\"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-C-819x1024.png 819w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-C-240x300.png 240w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-C-768x960.png 768w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-C-250x313.png 250w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-C-550x688.png 550w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-C-800x1000.png 800w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-C-144x180.png 144w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-C-400x500.png 400w, https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-content\/uploads\/2021\/06\/CURATORIA-FORENSE-NUEVO-CURSO-ONLINE-02-C.png 1080w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<ul class=\"\">\n<li>Basbaum, Ricardo. (2000) Manual do artista-etc. Azougue para viajem.&nbsp;<\/li>\n<li>Figueredo Torres, M. J. (2004). Trama cuaderno pr\u00e1ctico: Pautas de Presentaci\u00f3n y Financiamiento para Proyectos de Artistas. TRAMA.<\/li>\n<li>Infantino, J. (2011).| Cuadernos de antropolog\u00eda social. Instituto de Ciencias Antropol\u00f3gicas &#8211; Filo UBA. http:\/\/revistascientificas.filo.uba.ar\/index.php\/CAS\/article\/view\/1384<\/li>\n<li>Mellado, Justo Pastor. (2015) Escenas Locales, ficci\u00f3n, historia y pol\u00edtica en la gesti\u00f3n de arte contempor\u00e1neo. Editorial Curator\u00eda Forense.&nbsp;<\/li>\n<li style=\"font-size: 16px; text-align: left;\">Mendoza Ni\u00f1o, I. (2011). Arte y trabajo: Una aproximaci\u00f3n conceptual a la relaci\u00f3n del arte con otros campos del espacio social. Calle14: revista de investigaci\u00f3n en el campo del arte. <a class=\"waffle-rich-text-link\" href=\"https:\/\/www.redalyc.org\/pdf\/2790\/279021744010.pdf\">https:\/\/www.redalyc.org\/pdf\/2790\/279021744010.pdf<\/a><\/li>\n<li style=\"font-size: 16px; text-align: left;\">Ospina, Lucas. De qu\u00e9 vive un artista. Recuperado en: <a href=\"https:\/\/esferapublica.org\/nfblog\/de-que-vive-un-artista-2\/\">https:\/\/esferapublica.org\/nfblog\/de-que-vive-un-artista-2\/<\/a><\/li>\n<li style=\"font-size: 16px; text-align: left;\"><span style=\"color: #000000;\">Sep\u00falveda T., Jorge; Bustos, Guillermina<\/span>; y De La Puente, Federico. (2019) ACCI\u00d3N\/TRANSACCI\u00d3N. Econom\u00eda y mercado de arte contempor\u00e1neo. Editorial Curator\u00eda Forense.&nbsp; <a class=\"waffle-rich-text-link\" href=\"http:\/\/www.cooperativadearte.org\/ediciones_digitales\/archivos\/ACCION-TRANSACCION_fanzine_2018_v2.pdf\">http:\/\/www.cooperativadearte.org\/ediciones_digitales\/archivos\/ACCION-TRANSACCION_fanzine_2018_v2.pd<\/a><a class=\"waffle-rich-text-link\" href=\"https:\/\/www.redalyc.org\/pdf\/2790\/279021744010.pdf\">f<\/a><\/li>\n<li style=\"font-size: 16px; text-align: left;\"><a class=\"waffle-rich-text-link\" href=\"https:\/\/www.redalyc.org\/pdf\/2790\/279021744010.pdf\"><span style=\"color: #000000;\">Sep\u00falveda T., Jorge; y Bustos, Guillermina. (2017) Escenas Locales. No todo est\u00e1 hecho afortunadamente. Recuperado en:<\/span> <\/a><a class=\"waffle-rich-text-link\" href=\"http:\/\/vadb.org\/articles\/escenas-locales-no-todo-esta-hecho-afortunadamente\">http:\/\/vadb.org\/articles\/escenas-locales-no-todo-esta-hecho-afortunadamente<\/a><\/li>\n<li style=\"font-size: 16px; text-align: left;\"><a class=\"waffle-rich-text-link\" href=\"https:\/\/www.redalyc.org\/pdf\/2790\/279021744010.pdf\"><span style=\"color: #000000;\">Sep\u00falveda T., Jorge; y Bustos, Guillermina. (2020) LA ECONOM\u00cdA ES (ante todo) UNA CUESTI\u00d3N POL\u00cdTICA. Recuperado en<\/span> https:\/\/terremoto.mx\/online\/la-economia-es-ante-todo-una-cuestion-politica-derechos-laborales-en-arte-y-el-manual-de-accion\/<\/a><\/li>\n<li style=\"font-size: 16px; text-align: left;\">&nbsp;<span style=\"color: #000000;\">Sep\u00falveda T., Jorge; Petroni, Ilze. (2011) Aut\u00f3nomos, no independientes. Recuperado en<\/span> <a href=\"http:\/\/www.curatoriaforense.net\/niued\/?p=1215\">http:\/\/www.curatoriaforense.net\/niued\/?p=1215<\/a><\/li>\n<li style=\"font-size: 16px; text-align: left;\">Sep\u00falveda T., Jorge; Bustos, Guillermina; De la Puente, Federico; Bertona, Nicol\u00e1s; D\u00edaz Velasco, Gabriela; &amp; Colman, Fernando. (2020) Manual de Acci\u00f3n para los Derechos Laborales. Editorial Curator\u00eda Forense. <a class=\"waffle-rich-text-link\" href=\"http:\/\/www.trabajadoresdearte.org\/sitio\/manual-de-accion\/\">http:\/\/www.trabajadoresdearte.org\/sitio\/manual-de-accion\/<\/a><\/li>\n<li style=\"font-size: 16px; text-align: left;\"><a class=\"waffle-rich-text-link\" href=\"https:\/\/www.redalyc.org\/pdf\/2790\/279021744010.pdf\"><span style=\"color: #000000;\">Sep\u00falveda T., Jorge; y Bustos, Guillermina. (2016) Una pretensi\u00f3n libertadora y una predisposici\u00f3n de orden. Gestiones Aut\u00f3nomas de Arte Contempor\u00e1neo en Am\u00e9rica Latina.<\/span> https:\/\/curatoriaforense.net\/niued\/?p=2621 <\/a>&nbsp;<span style=\"color: #800080;\"><strong>&nbsp;<\/strong><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div class=\"row\" style=\"padding-top: 0px; padding-bottom: 0px;\">\n<div class=\"col-md-12 col-xs-12 col-sm-12\">\n<div class=\"row bg-editor-hr-wrap\">\n<div class=\"col-md-12 col-xs-12 col-sm-12\">\n<div>\n<p>&nbsp;<\/p>\n<div class=\"bg-hr bg-hr-2\"><\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<h2 class=\"\" style=\"font-size: 24px; text-align: center;\">&nbsp;<span style=\"color: #800080;\"><strong>&nbsp;<a href=\"https:\/\/www.curatoriaforense.net\/gestiondearte\/#formulario\"> INSCR\u00cdBETE AQU\u00cd<\/a><\/strong><\/span><\/h2>\n<h2 class=\"\" style=\"font-size: 24px; text-align: center;\">(hasta el 30 de Junio 2021)<\/h2>\n<p class=\"\">&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Te presentamos la bibliograf\u00eda seleccionada por el Equipo Pedag\u00f3gico del Curso, material que estructurar\u00e1 los contenidos de cada una de las sesiones. &nbsp;&nbsp; INSCR\u00cdBETE AQU\u00cd &nbsp;&nbsp; (HASTA EL 30 de<\/p>\n<div class=\"read-more\"><a class=\"btn button-secondary\" href=\"https:\/\/www.curatoriaforense.net\/gestiondearte\/bibliografia\/\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bgseo_title":"","bgseo_description":"","bgseo_robots_index":"index","bgseo_robots_follow":"follow","footnotes":""},"class_list":["post-11","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-json\/wp\/v2\/pages\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":9,"href":"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":118,"href":"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-json\/wp\/v2\/pages\/11\/revisions\/118"}],"wp:attachment":[{"href":"https:\/\/www.curatoriaforense.net\/gestiondearte\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}